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authorphoebe jenkins <pjenkins@tula-health.com>2024-08-23 02:56:50 -0400
committerphoebe jenkins <pjenkins@tula-health.com>2024-08-23 02:56:50 -0400
commitda4c2f772d5b8b9ad6a4f5e384edd919f1bee214 (patch)
tree32175042e7a0529cefa11b64b0bcd1ecc94c6f18 /essays/art_or_brend.tex
parentb648f126a075218e24aff2050e24f47374861e4e (diff)
downloadblueprint-da4c2f772d5b8b9ad6a4f5e384edd919f1bee214.tar.gz
header structure for esthetics, para-science, re-include and fix post formalism
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\chapter{\textsc{Art} or \textsc{Brend}?}
+\fancyhead{} \fancyfoot{} \fancyfoot[LE,RO]{\thepage}
+\fancyhead[LE]{\textsc{Esthetics}} \fancyhead[RO]{\textit{Art or Brend?}}
+
\begin{enumerate}[label=\textbf{\arabic*.}, wide, itemsep=1em]
\item Perhaps the most diseased justification the artist can give of his profession is to say that it is somehow scientific. LaMonte Young, Milton Babbitt, and Stockhausen are exponents of this sort of justification.