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diff --git a/essays/sal_introduction.otx b/essays/sal_introduction.otx index 234a2ac..e80e9b5 100644 --- a/essays/sal_introduction.otx +++ b/essays/sal_introduction.otx @@ -7,7 +7,7 @@ Liberties were taken in typesetting. Few of them I can imagine causing any outra I have included a number of additional pieces of writing not in the original publication. These writings fall into three categories: \vskip 0.3em \begitems\style a -* The pieces that composed the collection known as \booktitle{Fragments \& Reconstructions from a Destroyed Oeuvre, 1959--1963}, along with (probably) a number of other things that just happened to be near them. These were tediously dragged off of the MoMA online collection of Flynt's artwork.\footnote{{\tt\ul{https://www.moma.org/artists/35796}}} These pieces generally predate the ones here, and I find they often add interesting context and show some through-lines of Flynt's thinking, concepts as they develop and mature, yadda yadda. +* The pieces that composed the collection known as \booktitle{Fragments \& Reconstructions from a Destroyed Oeuvre, 1959--1963}, along with (probably) a number of other things that just happened to be near them. These were tediously dragged off of the MoMA online collection of Flynt's artwork.\fnote{{\tt\ul{https://www.moma.org/artists/35796}}} These pieces generally predate the ones here, and I find they often add interesting context and show some through-lines of Flynt's thinking, concepts as they develop and mature, yadda yadda. * The later piece of writing \essaytitle{The Radicalism of Unbelief}, published in {\caps\rm i-kon} magazine in 1982. Flynt's philosophy by no means stopped developing with this book, and I think this is a (somewhat unusually) approachable piece that paints a picture of some directions his thinking would develop in. * The old, striking, and distinctly-disowned-feeling essay \essaytitle{Communists Must Give Revolutionary Leadership in Culture} (published 1965). Because of how disowned-feeling it does feel, I have some hesitation about putting it in. It certainly feels uncanny to see Flynt so \e{aligned} with a \e{programme}. I still found it a quite interesting historical artifact both in the development of Flynt's thinking and as a peephole into the political dynamics of the art scene at the time, such as Flynt himself reflects upon in writings like \essaytitle{{\caps\rm The Art Connection}: My endeavor's intersections with art} (2005). \enditems |