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Diffstat (limited to 'essays/concept_art.tex')
| -rw-r--r-- | essays/concept_art.tex | 8 |
1 files changed, 4 insertions, 4 deletions
diff --git a/essays/concept_art.tex b/essays/concept_art.tex index bfe4c79..79247a6 100644 --- a/essays/concept_art.tex +++ b/essays/concept_art.tex @@ -28,7 +28,7 @@ Now what is artistic, aesthetic, about a work which is a body of concepts? This question can best be answered by telling where concept art came from; I developed it in an attempt to straighten out certain traditional activities generally regarded as aesthetic. The first of these is structure art, -music, visual art, etc., in which the important thing is "structure." My +music, visual art, etc., in which the important thing is \enquote{structure.} My definitive discussion of structure art is in my unpublished essay \essaytitle{Structure Art and Pure Mathematics}; here I will just summarize that discussion. Much structure art is a vestige of the time when \eg music was believed to be @@ -169,15 +169,15 @@ reduction together constitute the theorem. \section*{Concept Art: Innpersegs (May--July 1961)} \begin{sysrules} -A "halpoint" iff whatever is at any point in space, in the fading rainbow halo +A \enquote{halpoint} iff whatever is at any point in space, in the fading rainbow halo which appears to surround a small bright light when one looks at it through glasses fogged by having been breathed on, for as long as the point is in the halo. -An "init`point" iff a halpoint in the initial vague outer ring of its halo. +An \enquote{init`point} iff a halpoint in the initial vague outer ring of its halo. -An "inn`perseq" iff a sequence of sequences of halpoints such that all the +An \enquote{inn`perseq} iff a sequence of sequences of halpoints such that all the halpoints are on one (initial) radius of a halo; the members of the first sequence are initpoints; for each of the other sequences, the first member (a consequent) is got from the non-first members of the preceding sequence |