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| author | grr <grr@lo2.org> | 2024-05-22 21:40:19 -0400 |
|---|---|---|
| committer | grr <grr@lo2.org> | 2024-05-22 21:40:19 -0400 |
| commit | b805073879bb9de0dda93b84518dcc676026811e (patch) | |
| tree | 4f2d51cf3ce24aef73c1152bf13126d63618fd89 /extra/structure_art_pure_mathematics.tex | |
| parent | 46b67e2911488da5ccd6e4f20ac6b0547ff33acb (diff) | |
| download | blueprint-b805073879bb9de0dda93b84518dcc676026811e.tar.gz | |
fixes in appendix and images
Diffstat (limited to 'extra/structure_art_pure_mathematics.tex')
| -rw-r--r-- | extra/structure_art_pure_mathematics.tex | 4 |
1 files changed, 3 insertions, 1 deletions
diff --git a/extra/structure_art_pure_mathematics.tex b/extra/structure_art_pure_mathematics.tex index dd8cb61..78b5557 100644 --- a/extra/structure_art_pure_mathematics.tex +++ b/extra/structure_art_pure_mathematics.tex @@ -56,7 +56,9 @@ the structure of a production made by critics, what I call "associated definitio structure" (in line with the terminology of the previous paragraph), Consider the following examples. -\includegraphics[width=4in]{img/structure_art} +{ \centering +\includegraphics[width=4in]{img/structure_art}\par +} In each example, the actual sounds, the body of material, is exactly the same. The difference is in the different structures defined on the material. The examples |